Jason Isbell and The 400 Unit ~
Jason Isbell and The 400 Unit
Written by Brent Conley
I was excited to hear this album. I was
a big fan of Jason’s work with the Drive-by-truckers and
I enjoyed his first solo album. The songs on the new album
are stronger than those on his previous album but they still
leave you wanting just a little bit more. I hate to say
it but I think what is missing is Patterson Hood and the
rest of the old gang.
One of the strongest songs on the album
is the mournful “Sunstroke” with the power of it lying in
the play between the soft acoustic guitar and the lullaby
like piano. He is a good story teller and can really set
the mood. With lyrics like “Here it is morning for some
folks, twilight for those of us left” he puts that ability
on display.
Another song in which his ability to
tell a good story is evident is “Cigarettes and Wine” a
rather depressing lament about love and the stains it leaves
on our souls. He Sings “She lives down inside of me still,
rolled up like a twenty dollar bill. She left me alone with
these pills and the last of my youth.” Really what more
needs to be said. When a lyric can smack you square in the
mouth like that you know you’ll still feel it in the morning.
If you like songs that make you think
about your own past then you will find “Streetlights” to
your liking. The characters in the song are just like people
you and I know and it does it good job of highlighting the
awkwardness which hides inside the comfort of what your
life used to be. I would say a song like that deserves more
than a few listens.
Jason and The 400 Unit saved their best
for last. The last song on the album oddly enough titled
“The Last Song I’ll Ever Write” is the perfect culmination
of the material on this album. With great lyrics and excellent
musicianship it sort of brings together all the potential
and finally realizes the vision of what could be. It’s moody
and yet not droning. It is dark without being dirty.
I can’t say that this album is a great
one but it is worth some of your time. The problem is that
it doesn’t do enough to make people forget about his old
band, but it does validate him as an artist and a creative
force. I think Jason Isbell is just coming into his own
and finding his voice and this album assures us of that.