Hank III is as honest and eclectic as
they come. He never stops touring and he never settles in
on a genre for too long. Hank has released four country
albums and has recorded and toured as a bass player for
Superjoint Ritual. Which was a metal band from New Orleans,
Louisiana notably featuring Phil Anselmo of Pantera, Jimmy
Bower of EyeHateGod, and Hank Williams III. He has also
just released an album as a drummer for the hardcore band
Arson Anthem. And, let us not forget his own hardcore rock
band, Assjack.
On Damn Right, Rebel Proud Hank III continues
his assault on the country music industry, which he sees
as full of hypocrites and pop artists who try to pass themselves
off as real country artists. By blending a traditional country
sound with a punk attitude, he stands out as the best artist
in the hillbilly style he forged.
The topics on Damn Right, Rebel Proud
range from the lovelorn on "I Wish I Knew" to the blue-collar
blues of the "Workin' Man." Thrown into the mix is "P.F.F.,"
a tribute to punk pioneer GG Allen, who was infamous for
his antisocial behavior and naked stage show.
All the songs feel easy to relate to
and real. Hank III's songs are usually from the darker side
of life — the side in which most of us live, broke, hurt
and feeling lost. "Candidate for Suicide" speaks to those
deep emotions that make us question our place in society
and in our own families. He sings, "I hope I feel better
when I'm riding in that hearse, and all my emotions have
left me, and I no longer hurt." He sings those dark feelings
but you don't feel hopeless after listening. It's more like
a matter-of-fact kind of feeling; it's just the way it is.
"Workin Man" is a great song. Written
by and featuring Bob Wayne, it is about a hero of a construction
worker who represents any man who works hard every day to
support his family. Like so many of Hank's characterizations,
the heroes are really anti heroes. They are flawed yet triumphant
and interesting.
Shelton Hank Williams III is the kind
of original artist who has a rabid fan base but will never
be known by mainstream America. He probably prefers it that
way. He makes his own rules and lives his life, waving his
middle finger at the greedy corporate yes men of the country
music machine.